Places ashuryn Wants to Go

A spiralling hourglass-shaped tower rises from the forests in Denmark.

This historical font became infamous after a maid was allegedly tricked into urinating in it, leading to her tragic death sentence.

According to legend, this is the burial place of a mythical three-legged death omen horse.

An artist has turned what most people would consider a bathroom nightmare into a work of political art.

Danish observation tower designed to look like a giant beer bottle.

This sublime architectural marvel is a rare example of an expressionist church.

Pre-Nazi swastikas adorn the sculpted pachyderms flanking this brewhouse portal.

Denmark’s oldest bakery is home to the 'Wednesday Snail,' one of the best cinnamon rolls on the planet.

Beneath Denmark's Højbro bridge, a bronze merman and his seven sons forever mourn for the mother and wife who left them for land.

An old Danish political institution where members of government can grab a drink off the record.

Visitors are treated to a stained glass kaleidoscope interior inside this work of art.

The world's first combination ski slope and power plant.

One of Scandinavia's largest mosaics pays tribute to Danish art and science luminaries.

The art museum is decorated with creatively remodeled pre-Nazi swastikas.

A natural wonder in south Denmark.

Six beautiful wooden giants are hidden around Copenhagen.

With a bundle of matches in one hand and a mobile phone in the other, this sculpture is a modern take on Hans Christian Andersen's poignant fairy tale.

This bridge's unique architecture honors nautical heritage and encourages self-awareness.

Copenhagen's "other" little mermaid marks the historic location of past sea maid sightings.

Climb to the top of its spiral spire for spectacular views of Copenhagen.

Opulence and fantasy collide in this royal chair which is supposedly made with unicorn horns.

Prank chair from an 18th-century Danish royal court shows the eternal popularity of fart jokes.

A 19th-century subterranean reservoir repurposed as a contemporary art cave.

Positioned outside a church, this sinister folkloric figure incited protests in both 1902 and 2002.