Places Auntie Maim Wants to Go

This gallery of prehistoric red ochre art lines the wall of a scenic segment in Utah's San Rafael Swell.

These Pre-Columbian petroglyphs contain representations of birds, deer, hunters, and even some early Native flute players.

A futuristic temple of light uses prisms and rainbows to create an atmosphere of peace.

An immersive environment that is part haunted house, part choose-your-own-adventure, and part jungle gym.

Here, at the “world’s longest art gallery,” you’ll find forty miles of ancient petroglyphs and pictographs.

A preserve with 75,000 ancient drawings remains the realm of public – not just scientific – exploration.

One of the American Southwest's most extensive collections of Navajo rock art.

One of the world’s largest collections of petroglyphs records 2,000 years of human activity.

A rare memento of a lost Indigenous group.

The hallowed remains of a 900-year old Ancestral Pueblo great house.

Thousands of years ago, Indigenous people painted images onto these canyon walls that are still on display today, provocative, mysterious, and enduring reminders of the people who lived here long ago.

This UFO landing strip was created by a charitable Wyoming city that was worried about residents of Jupiter.

A unique collection of drawings that represent Fremont Native American culture.

Colorado's only true geyser is hidden within the San Juan National Forest.

The childhood home of Henry Jones Jr. is now an adventure-themed bed and breakfast.

Devilish landscape, once cinema home to giant alien bugs, now derelict roadside attraction.

Possibly the world's only drive-in movie theater with an attached motel.

This once-popular otherworldly landscape was formed by one of the largest volcanic eruptions in history.

“You better take care of me Lord, if you don't you're gonna have me on your hands.” ― Hunter S. Thompson, Fear and Loathing in Las Vegas.